My Music And Song's

Archive for September, 2009

One of the best things about the blues — and a huge relief to beginning  guitarists — is that the blues isn’t all that hard to play, technically speaking.Playing lead or rhythm in most blues songs requires only intermediate technique.
What is harder to do — in fact, you never stop figuring out how to do it better — is to play expressively. Expression in the blues is what turns craft into art. Check out these ways to make your music more bluesy:

• Use bent notes. Bent notes are notes where the pitch is raised slowly upwards in a continuous fashion, and this element is closely identified with the blues.
• Make your music shake. Vibrato is a technique that makes the notes of the music quiver by using left-hand finger wiggling, which gives blues a signature sound. B.B. King is well known for his expressive and soulful vibrato. Because much of the blues is set to medium tempos, players hold notes for long periods of time. Vibrato is a great way to bring notes to life, so they don’t just sit there.
• Give it some slide. If you don’t hit notes straight on and rather slide into notes from above and below, you give music a bluesy feel and breathe some life into your notes. Guitarists often draw their inspiration from vocalists and horn players (saxophone, trumpet, trombone, and so on), who exercise the slide technique on a regular basis.
• Slur your notes. Connecting notes through slurs — where you don’t restrike the second note with the right hand — is a good way to loosen up your playing in the typical way a blues player does.
• Allow the rhythm to flow. Blues also allows a certain rhythmic liberty to be taken with melodies and especially letting the melody notes deliberately fall after, or behind, the beat. Backphrasing is actually more of a rhythmic alteration, or rubato, but it’s generally thought of as a phrasing technique. It’s been described as lazy, devil may care, or cavalier, but it sure makes the notes sound more bluesy.

Blues guitar can take many forms, and has grown dramatically since its humble beginnings in the south-central United States. Blues players of this time were largely self taught (and many of them illiterate), and one of the easiest ways to create different chords was to tune the guitar to an open chord, such as G major or E major, and then use a metal or glass slide (a pocket knife or bottle neck) to change chords.

In both slide and fretted guitar styles, guitarists would emphasize the driving rhythm of the blues by thumping out steady bass notes on the low strings with their thumb while in turn, or simultaneously, fingerpicking upper strings to sound out chords, melodic riffs, and fills.Playing simple chords to back up a blues singer is still a form of blues guitar — as is playing chords with a slide. You can’t help but sound bluesy when you move a slide from one position to another to play the different chords in a song — especially if you do it expressively.

But beyond this, you can ascribe certain musical hallmarks to the blues that don’t make you play any more soulfully but provide you with a deeper understanding when you hear the blues. In the following sections, I’ve broken down the elements of the blues into four musical concepts. Keep in mind that these concepts are the main ones and there are certainly more, but thinking of and listening to the blues while considering these criteria helps in your understanding of this sometimes elusive music form.

The guitar and blues go together like apple and pie — as if they were made  for each other. And you could argue that they were. The guitar allows you to sing along with yourself (try that with a flute), and singing was the way the blues started. And it’s much easier to bring out on the front porch than a piano. It’s cheaper to own (or make yourself) than many other instruments, and that helped bring the blues to many poor folks — the people who really had the blues.

As the blues developed, guitar makers adopted features that helped bring out the qualities of the blues to even better effect. An electric guitar is played with two hands and leaves your mouth free to sing (as an acoustic does), but electrics, with their skinnier strings, are easier to bend (a way of stretching the string while it’s ringing, producing a gradual, continuous rise in pitch), and electronic amplification helps project the guitar’s sound out into the audience of (often raucous and noisy) blues-loving listeners. In this chapter, I show you in detail why the blues and the guitar — both acoustic and electric — make great music together.

Because the blues was concentrated in the rural South, in the time before
musical instruments adopted electricity, the earliest blues guitar music was
played on acoustics. The “Delta blues” style was the first recognized style
of the blues and consisted of strummed and plucked acoustic guitars with
chords formed the same way as in other forms of folk music.