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Archive for the ‘Blues Music’ Category

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Unlike classical guitar playing, blues guitar has no pre-existing beliefs on the right way to play and hold your instrument. This lack of a formal approach frees you from the normal way of learning, which is to listen to someone else tell you how to do something the right way — and call you out when you’re doing it wrong.

In the blues, you can’t really be doing something wrong, unless it either hurts
or sounds bad. That’s because the blues is a folk art — an art created by ordinary people — and doesn’t carry around the baggage of established rules that some other art forms do. But you can observe some simple guidelines that help you play comfortably, efficiently, and, by all means, without pain.For the blues guitarist, any pain associated with playing should come from the heart, not your fingers or lower back!

Holding your guitar should feel as natural as picking up a baby. Don’t think too much about it; just treat it with love, and you’ll do fine. Once you have your baby — er, your guitar — in your arms, use the info in the following sections so you’re comfortable while you figure out how to fret notes and strum strings.

The guitar and blues go together like apple and pie — as if they were made for each other. And you could argue that they were. The guitar allows you to sing along with yourself (try that with a flute), and singing was the way the blues started. And it’s much easier to bring out on the front porch than a piano. It’s cheaper to own (or make yourself) than many other instruments, and that helped bring the blues to many poor folks — the people who really had the blues.
As the blues developed, guitar makers adopted features that helped bring out the qualities of the blues to even better effect. An electric guitar is played with two hands and leaves your mouth free to sing (as an acoustic does), but
electrics, with their skinnier strings, are easier to bend (a way of stretching the string while it’s ringing, producing a gradual, continuous rise in pitch), and electronic amplification helps project the guitar’s sound out into the audience of (often raucous and noisy) blues-loving listeners. In this chapter, I show you in detail why the blues and the guitar — both acoustic and electric — make great music together.
Because the blues was concentrated in the rural South, in the time before musical instruments adopted electricity, the earliest blues guitar music was played on acoustics. The “Delta blues” style was the first recognized style of the blues and consisted of strummed and plucked acoustic guitars with chords formed the same way as in other forms of folk music.